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Aven-Le Zhou
Person information
- affiliation: Xi'an Jiaotong-Liverpool University, Suzhou, China
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2020 – today
- 2026
[c16]Yiran Ma
, Wenxiao Zhu
, Yiying Wang
, Shuhan Wang
, Martijn ten Bhömer
, Rodolfo Cossovich
, Aven-Le Zhou
:
PiscineMobil: A Design Probe for Interspecies Agency Reversal. DIS Companion 2026: 275-280
[c15]Jiahe Li
, Hao Zhu
, Yian Tang
, Martijn ten Bhömer
, Aven-Le Zhou
:
Being Stone: Designing Nonhuman Embodiment in VR. DIS Companion 2026: 561-565- 2025
[c14]Aven-Le Zhou
:
A Relational (Re)Turn: Revisit Interactive Art through Interaction and Aesthetics. ARTECH 2025: 17:1-17:9
[c13]Wenxiao Zhu
, Yian Tang
, Chelsea-Xi Chen
, Aven-Le Zhou
:
From Concept to Video: an End-to-End AI-Assisted Approach for Storytelling. ARTECH 2025: 38:1-38:9
[c12]Aven-Le Zhou
:
Towards Relationality: Sociocultural Embodiment and Interpersonal Interaction. ARTECH 2025: 50:1-50:9
[c11]Yuchen Li
, Aven-Le Zhou
:
Semiotic Sculpting: Modeling and Meaning-Making with Second-Order Semiology. ARTECH 2025: 77:1-77:8
[c10]Yoyo Yi-Yao Zhang
, Aven-Le Zhou
:
Techno-empathy: Iterative Emotion Visualization. Creativity & Cognition 2025: 807-812
[c9]Aven Le Zhou
, Wei Wu
, Yu-Ao Wang
, Kang Zhang
:
Steering Large Text-to-Image Model for Kandinsky Synthesis Through Preference-Based Prompt Optimization. EvoMUSART 2025: 417-433
[c8]Aven Le Zhou
, Lei Xi
, Kang Zhang
:
Mixed or Misperceived Reality? Flusserian Media Freedom through Surreal Me. TEI 2025: 87:1-87:9
[c7]Yiran Ma
, Xianyue Zhu
, Chelsea-Xi Chen
, Aven-Le Zhou
:
Towards an AI-Assisted Speculative Narrative Design Workflow. VINCI 2025: 38:1-38:9
[c6]Yoyo Yi-Yao Zhang
, Aven-Le Zhou
:
Techno-empathy 2.0. VINCI 2025: 72:1-72:3
[i13]Aven-Le Zhou
:
A Relational (Re)Turn: Revisit Interactive Art through Interaction and Aesthetics. CoRR abs/2508.00878 (2025)
[i12]Aven-Le Zhou
:
Negative Shanshui: Real-time Interactive Ink Painting Synthesis. CoRR abs/2508.16612 (2025)
[i11]Chelsea-Xi Chen, Zhe Zhang, Aven-Le Zhou
:
Translating Cultural Choreography from Humanoid Forms to Robotic Arm. CoRR abs/2511.17603 (2025)- 2024
[i10]Aven Le Zhou
, Yu-Ao Wang, Wei Wu, Kang Zhang:
Human Aesthetic Preference-Based Large Text-to-Image Model Personalization: Kandinsky Generation as an Example. CoRR abs/2402.06389 (2024)
[i9]Aven Le Zhou
, Lei Xi
, Kang Zhang:
Another Body in the World: Flusserian Freedom in Mixed Reality. CoRR abs/2402.10751 (2024)
[i8]Aven Le Zhou
, Lei Xi
, Kang Zhang:
Mixed or Misperceived Reality? CoRR abs/2405.02338 (2024)
[i7]Aven Le Zhou
:
Inflation of Interactivity? Analyzing and Understanding Embodied Interaction in Interactive Art through a New Three-dimensional Model. CoRR abs/2409.00047 (2024)
[i6]Aven Le Zhou
, Lei Xi, Kang Zhang:
Mixed or Misperceived Reality? Flusserian Media Freedom through Surreal Me. CoRR abs/2410.12171 (2024)
[i5]Aven Le Zhou
, Wei Wu, Yu-Ao Wang, Kang Zhang:
Steering Large Text-to-Image Model for Abstract Art Synthesis: Preference-based Prompt Optimization and Visualization. CoRR abs/2412.14174 (2024)- 2023
[c5]Aven Le Zhou
, Kang Zhang
, David Kei-Man Yip
:
Painterly Reality: Enhancing Audience Engagement with Paintings Through Interactive Art. ARTECH 2023: 45:1-45:8
[i4]Aven Le Zhou
, Qiufeng Wang, Cheng-Hung Lo, Kaizhu Huang:
ShanshuiDaDA: An Interactive, Generative System towards Chinese Shanshui Painting. CoRR abs/2310.19803 (2023)
[i3]Aven Le Zhou
, Jiayi Ye, Tianchen Liu, Kang Zhang:
Archiving Body Movements: Collective Generation of Chinese Calligraphy. CoRR abs/2311.13770 (2023)
[i2]Aven Le Zhou
, Kang Zhang, David Kei-Man Yip:
Painterly Reality: Enhancing Audience Experience with Paintings through Interactive Art. CoRR abs/2312.01067 (2023)- 2022
[c4]Aven-Le Zhou
, Fuqi Xie:
Welcome to Heshan: An Installation to Create Immersive and Entertaining Experiences with Local Art Through Interactive Media Technologies. HCI (11) 2022: 304-317- 2021
[c3]Judy Zixin Li, Aven Le Zhou
:
The Museum of Dreams: Exploring a "Dreaming" Visual Experience via Machine Vision and Visual Synthesis. HCI (11) 2021: 31-39
2010 – 2019
- 2019
[c2]Aven Le Zhou
:
Walking Through Shanshui: Generating Chinese Shanshui Paintings via Real-Time Tracking of Human Position. ICCV Workshops 2019: 3185-3188
[c1]Aven-Le Zhou
, Qiu-Feng Wang, Kaizhu Huang
, Cheng-Hung Lo
:
An Interactive and Generative Approach for Chinese Shanshui Painting Document. ICDAR 2019: 819-824
[i1]Yucheng Zhu, Yanrong Ji, Yueying Zhang, Linxin Xu, Aven Le Zhou, Ellick Chan:
Machine: The New Art Connoisseur. CoRR abs/1911.10091 (2019)
Coauthor Index

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last updated on 2026-07-12 23:35 CEST by the dblp team
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