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ORCIDARTECH 2025: Braga, Portugal
- Lucas Fabián Olivero, Emília Simão, Alberto Sá, Adérito Fernandes-Marcos:
Proceedings of the 2025 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories, ARTECH 2025, Braga, Portugal, November 26-28, 2025. ACM 2025, ISBN 979-8-4007-2001-7
Session 1: Generative Visions: AI, Representation, and Visual Systems
- Adon Phillips, David Mould
:
Detailed Abstract Images from Automated Prompts. 1:1-1:8 - Andreas Lutz:
Abstract Language Model - Exploring the human machine relation by using artificial neural networks as a tool for creating audio-visual artworks. 2:1-2:8 - Pedro Andrade:
Lisbon MIL City within the A.I. Age: Interpreting Media Arts and Urban Heritage for Sociological Tourism and their Dissemination via a Digital Marketing Campaign. 3:1-3:9 - Maria de Fátima Lambert:
The ancestors of AI in the era of the floating world: images, atlases, archives of critical thinking (contributions). 4:1-4:11 - Camila Mangueira, João Lima (Limamil):
Aura-Fox Redux: uma arqueologia da imagem técnica: Aura-Fox Redux: a technical image archaeology. 5:1-5:5
Session 2: Immersion and Digital Narrative: WEB, Video Art, Games, AR/VR
- Bárbara Gaspar Cleto:
Co-creation and personalisation of Immersive Web Environments: Initial Results from a Case Study. 6:1-6:8 - Pedro Henriques, Pedro Alves da Veiga:
Subjective Views: Video Art as a Mirror of Culture and Artistic Performance: Olhares Subjetivos: A Videoarte como Espelho da Cultura e da Performance Artística. 7:1-7:7 - Emanuele Souza Inácio, Tiago Martins, Alberto Teixeira Sá:
Videogame as Emotional Mediation: an Interactive Installation in Media Arts. 8:1-8:9 - Miguel Carlos Lima, Mirian Nogueira Tavares, Luís Teixeira:
Memórias do Futuro - Um Diálogo com o Passado Sustentável: Memories of the Future - A Dialogue with the Sustainable Past. 9:1-9:9 - Ana Raquel Gouveia, Isabel Cristina Carvalho, Paulo Maldonado:
Narrative Portals and Augmented Reality: Activating empathy in creative projects. 10:1-10:8 - Guilherme Maranhão:
Unblackboxing como prática artística: Unblackboxing as an artistic practice. 11:1-11:4 - Carlos Alves Correia:
A Media Art como meio de criação híbrida, colaborativa e participativa: Media Art as a means of hybrid collaborative and participatory creation. 12:1-12:4
Session 3: AI, Authorship, Histories
- Catarina Lira Pereira, Domingos Loureiro, Diana Costa:
Aesthetics on Autopilot: AI's Role in the Works of Abrantes and Manovich. 13:1-13:10 - Youngjun Choi, Jinjoon Lee:
Toward Diffused Multiplicity: Palimpsestic Characteristics in AI Art. 14:1-14:6 - Luís Conceição, Patrícia Gouveia, Manuel Lisboa:
Remember to [not] be Forgotten: Women Artists and Technological Memory Erasure.: A Feminist and Posthuman Critique of Algorithmic Exclusion. 15:1-15:7 - Bruno Mendes da Silva, Susana Costa:
Core Reflex II: The Creative Process of a Self-Portrait in a Luminous Landscape. 16:1-16:3 - Aven-Le Zhou:
A Relational (Re)Turn: Revisit Interactive Art through Interaction and Aesthetics. 17:1-17:9
Session 4: Immersive XR: Theory and Frameworks
- Jaeyeon Shin, Dagyeom Chung, Sun Ah Bae, Seung Hyun Cha:
A Framework for Analyzing XR Media Art through Impossible Spaces and Interaction Structures. 18:1-18:16 - Jisoo Kang, Dagyeom Chung, Kyunghyun Cho, Seung Hyun Cha:
Strategic Design Framework for Surrealistic Spaces in Virtual Reality. 19:1-19:9 - Paulo Veloso Gomes, João Donga, Vítor J. Sá, Henrique Curado, António Marques, Gonçalo Oliveira, Sofia Sá:
SOCIAL RAFT - Effects of a Multisensory VR Journey Through the Perception of Social Isolation. 20:1-20:7 - Selma Pereira, Adérito Fernandes Marcos, Ricardo Alexino Ferreira:
Na senda das dimensões da média-arte digital nas narrativas biográficas em Macau: uma perspetiva à luz da diversidade cultural: On the trail of digital media art dimensions in biographical narratives in Macau: a perspective in light of cultural diversity. 21:1-21:9
Session 5: Interactive Systems and Tangible Interfaces
- Haoxuan Wang, Zirui Wu, Kang Zhang:
SOMA: Interactive Dynamic Calligraphy and Poetic Sceneries. 22:1-22:10 - Sara Mlakar, Kathrin Probst, Astrid Weiss:
Controlling Chair: Experiencing User Autonomy versus Automation through an Interactive Artifact. 23:1-23:8 - Michael Morran, Jinsil Hwaryoung Seo:
Bodies in Dialogue: Generative AI as a Provocateur for Narrative and Motion. 24:1-24:8 - Francisco Miguel Vargas Cárdenas, Rocío García Robles:
Rob2embrace Enchancing Multicultural Behaviour through Robot Activities with children in Education. 25:1-25:6 - Mar Canet Sola, Varvara Guljajeva:
Why Open Small AI Models Matter for Interactive Art. 26:1-26:8 - Yiwen Zhang, Ailei Wang, Xinru Sui, Yeojin Kim, Zhiyong Fu:
Cosmic Echoes: Interdimensional Ensemble Systems and Pulsar Acousto-Optical Translation. 27:1-27:4 - Tim Schneider, Gérard Kubryk, Vincent Hulot, Matthieu Courgeon, David Poirier-Quinot, Frédéric Auchère, Frédéric Baudin, Eric Buchlin, Xavier Maitre:
The Eye of the Sun - A touch and motion-sensitive, interactive, audio-visual sculpture combining curiosity and solar physics. 28:1-28:4
Session 6: Immersive Stages and Performative Spaces
- Béatrice Albert, Emmanuelle Frenoux, Gaële Misiak, Gérard Kubryk, Guillaume Junot, Izabela Faguet, Matthieu Courgeon, Michèle Gouiffès, Nicola Lorè, Sami Korhonen, Simon Junot, Tim Schneider, Vincent Hulot, Xavier Maitre:
The Loop - A 360-degree immersive and interactive stage for collective space-time experiences. 29:1-29:5 - Rui Travasso:
Performance in Audiovisual and Multimedia: Fixed and Dynamic Systems. 30:1-30:7 - Julia Domínguez Sánchez-Lanuza, Patrícia Gouveia:
El amor que pasa. Resignifying Monumentality and Gendered Violence through Transmedia practices. 31:1-31:7 - Roopesh Sitharan, Anis Haron:
Akousis: An AI-Driven Sonification of Botanical Taxonomy. 32:1-32:7 - Hyeokjin Choi, Seung Hyun Cha:
Processed Experience: A Contemporary Discourse on Existence with Spatial Installation. 33:1-33:8 - Patrick Kruse, Ivana Druzetic-Vogel, Christian Geiger:
Space as Interface. 34:1-34:5 - Byeongwon Ha:
Virtual Reality in the Expanded Field. 35:1-35:3
Session 7: Digital Storytelling, Archives, Preservation
- Rui Filipe Antunes:
zeitgeist25/I_miss_you_but_i_was_never_here.html: A contemporary story. 36:1-36:6 - Guillermo Rodríguez Tenorio, María Arregui Montero, Rocío García Robles:
CONFINEMENT ARCHIVE: : Virtual testimonies of confinement through contemporary art practices and challenges in its preservation. 37:1-37:8 - Wenxiao Zhu, Yian Tang, Chelsea-Xi Chen, Aven-Le Zhou:
From Concept to Video: an End-to-End AI-Assisted Approach for Storytelling. 38:1-38:9 - Pedro Ernesto Moreno García, Marta Villanueva Padilla, María Isabel Moreno Montoro:
Helping Intangible Heritage Resilience through Storytelling (HIGHRES): Research projects in heritage and digital arts within the European framework of the Erasmus+ Programme. 39:1-39:6 - Rúben Duarte, Maria João Antunes, Catarina Lelis:
The Filter Market: A Speculative Interface for Buying and Performing Civility in Online Comments. 40:1-40:7
Session 8: Media Ecologies, Sustainability, Participation
- Jaroslava Snajberková, José Bidarra, Mirian Nogueira Tavares:
Digital Masks: Reimagining Digital Media for Co-Presence with the Kogi. 41:1-41:6 - Tim Schneider, Charles Ménard-Wendling:
Perturbatio - An artistic framework for the visualisation of the cumulative eco-impact of human activities. 42:1-42:6 - Rocío García Robles, Nicolás Pérez Rodríguez:
Osmosis Among Art, Sealife and Citizen-Science: Promoting Sustainability through Sci-Art Participatory Experiences. 43:1-43:8 - Maria Cristina Cavalcanti, Mirian Estela Nogueira Tavares, Priscila Almeida Cunha Arantes:
From the Atelier Populaire to Artivism. Situationist Strategies Reimagined. 44:1-44:9 - Sara Cruz, José Bidarra:
AFASTAR E APROXIMAR: Narrativa audiovisual sobre a (re)conexão entre o Homem e a Natureza. Presença entre imagem, som e natureza: ZOOM OUT and ZOOM IN: An audiovisual narrative on the (re)connection between Humans and Nature. Presence between image sound and nature. 45:1-45:10
Session 9: Territories, Memory, Cartographies
- Sungbaek Kim, Yasuaki Kakehi:
Haunted Aurora: Hauntological Experience through Miniaturization of Media-Mediated Nature. 46:1-46:6 - Fernando Carvalho, Mónica Mendes:
Glitch Cartographies: Reconfiguring Memory and Territory in Virtual Reality. 47:1-47:7 - Shujiao Xie:
Beyond Technology: Proposing A Contextual Classification Framework for Media Art in Chinese Urban Space Through Its Social Potential. 48:1-48:8 - Gabriel José Marques Colaço, António De Oriol Pena Vazao E. Trindade, Diana Godinho da Silva Costa:
Between Light and Screen in David Hockney: the Rearticulation of the Pictorial Gesture in Digital Media. 49:1-49:7 - Aven-Le Zhou:
Towards Relationality: Sociocultural Embodiment and Interpersonal Interaction. 50:1-50:9
Session 10: Interfaces of Play: Games, Puppetry, and Critical Design
- Noriki Amano:
Glicth Art based on Digital Games. 51:1-51:7 - Ejla Kovacevic:
Experimental Machinimas: Avant-Garde and Hacktivism. 52:1-52:4 - Miguel Carlos Lima, Mirian Nogueira Tavares, Luís Teixeira:
Machinima Artivista como Crítica Social: O Caso de "City Art - Mimo e a Cidade": Machinima Artivism as Social Criticism: The Case of. 53:1-53:8 - Miguel Albuquerque Araujo, Luís Leite, Rui Rodrigues:
Autonomous Puppetry - A Preliminary Study on the Puppeteer's Perspectives of Autonomy in Puppetry Practices. 54:1-54:7 - António Oriol Trindade:
Drawing, painting, modelling, mobile phones and video in anamorphic construction.: Analogue and digital processes in the metamorphosis of certain artistic forms. 55:1-55:10
Session 11: AI, Generativity, Practice
- Célia Fernandes Palma, Isabel Cristina Carvalho, Mirian Nogueira Tavares:
The Plasticity of Generative Artificial Intelligence in Materialized Artistic Practice. Case Study 'in/visibilidades no feminino 2.0'. 56:1-56:9 - Dominika Cupkova:
Practicing The Weird Third Thing: A Participatory Methodology for Machine Unlearning through Playful Subversion. 57:1-57:6 - Philipp Haslbauer, Carolin Reichherzer, Marco Schmid, Aljosa Smolic:
Deus in Machina: A Conversational AI for Spiritual Experience. 58:1-58:7 - Yu-Chia Kuo, Tak-Cheung Hui:
Whale Echo Dialogues: Simulating Acoustic Encounters Between Whales, Humans, and Machines. 59:1-59:6 - Rosimária Sapucaia, Rúben Ferreira, Vasco Yang Ye, Rodrigo Meireles, Guilherme Cerqueira, Fernando Faria Paulino:
Rainbow Clash: Cyberperformance as an Interactive Artistic Experience. 60:1-60:5 - Assim Kalouaz, Brendan Rooney, Jean-François Jégo, Pamela Gallagher:
Designing Awe in Interactive Digital Media. 61:1-61:8
Session 12: AI, Dance, Embodiment
- Nuno N. Correia, William Primett:
Understanding the Use of AI in Contemporary Dance: Perspectives from Practitioners. 62:1-62:4 - William Primett, Nuno N. Correia, Naoto Hieda, Andreia Matos:
Designing for Kinaesthetic Empathy using Data-Driven Movement Matching. 63:1-63:10 - Rui Filipe Antunes, Cecília de Lima:
AVLMA: Laban Movement Analysis as Catalyst for Generative Art in an Experimental Audiovisual Pipeline Using MediaPipe. 64:1-64:6 - Emilia Simão, João Martinho Moura, Daniel Brandão:
Liminal Landscapes: Generative Art as a Technoshanic Instrument in the Representation of Altered States of Consciousness. 65:1-65:6 - Mark Nazemi:
Immersive Meditation as Neuro-Art: Designing Sensorium's Dome at the Intersection of HCI and Neuroaesthetics. 66:1-66:6 - Gabriela Farías Islas:
Interwoven Realities: Exploring the Confluence of Embroidery and Biomaterials in Contemporary Art. 67:1-67:3
Session 13: Audio-Visual, Music, Performance, Media
- Emídio Buchinho:
BeComposer: A Computer System For Musical Composition And Performance In Real-Time: A Computer System For Musical Composition And Performance In Real-Time. 68:1-68:7 - Fernando Carvalho, Ana Mariz, Kim da Motta, Diogo Aguiar, Patrícia Gouveia:
Institute of Hyper-Consumption: Traces of Excess. 69:1-69:7
Session 14: Ethics, Surveillance, Memory
- Lorena Ferreira Alves:
Espionage and Dataveillance Technologies: Perspectives on Sound Surveillance in Surveillance Art Practices. 70:1-70:6 - Xuanyang Huang, Xiaoyun Zhong, Wei Huang, David Kei-Man Yip:
Reframing Surveillance: Generative AI and the Fictionalization of Machine Vision. 71:1-71:7 - Rui Travasso, André Conde, Marco Miranda:
Inclusive Soundscapes: systems for an accessible performance. 72:1-72:9 - Botao Amber Hu:
Protocol as Poetry: A Case Study of Pak's Smart Contract-Based Protocol Art. 73:1-73:29 - Zhiqi Wang, Patrick Gunawan Hartono:
Mycortex: Exploring Non-Human Symbolic Communication through Art and Bioelectric Signals: Mycortex: Non-Human Symbolic Communication. 74:1-74:3
Session 15: Digital Storyworlds, Semiotics and Narrative Design
- Michael Bruner, Jinsil Hwaryoung Seo:
From Motion to Meaning: Educational and Design Perspectives on Embodied Locomotion in Virtual Reality. 75:1-75:7 - Andreia Isabel Mendonça Pintassilgo, Ana Soares, Maria Guerriero:
Digital Media Art and Archaeologies of the Invisible: The Case of Mãe Soberana in Dialogue with Zielinski. 76:1-76:5 - Yuchen Li, Aven-Le Zhou:
Semiotic Sculpting: Modeling and Meaning-Making with Second-Order Semiology. 77:1-77:8 - Syeda Nikhat Mohsin, Néill O'Dwyer, Nicholas Johnson:
The Mouth and You: A Walk Through Beckett's Not I in Virtual Reality. 78:1-78:7 - Predrag K. Nikolic:
AI.R Taletorium: Preserving Culture Through AI Storytelling. 79:1-79:4
Session 16: HCI, Interaction Design, Theory
- Ana Catarina Monteiro, Miguel Carvalhais, Rui Torres:
Affordances of Behavior for Interactive Digital Narratives: A Poetics for Interaction. 80:1-80:7 - Helena Pires, Né Barros, João Martinho Moura:
EDNI. Rehearsing the Embodied Co-Creation of Emerging Trans-Spatio-Temporalities. 81:1-81:9 - Shaula Ortega Rodríguez:
Eros, Constructor of Identities: An Object based Videotaping Project. 82:1-82:6 - Charlotte Triebus, Christian Geiger:
Three Languages of Artistic Research - Precious Multitudes as a Performative Documentation of Research in New Media Art. 83:1-83:7
Session 17: Data, Visualization, WEB, Parametric
- Byeongwon Ha:
Fav(panopt)icon Project. 84:1-84:3 - Nelson Caldeira, Pedro Alves Veiga, João Cordeiro:
"UrdiSynth42" e a tecelagem figital: "UrdiSynth42" and figital weaving. 85:1-85:8 - Byeongwon Ha:
Make America Great Again and Again: Voices Across the World. 86:1-86:3 - Fernando Codevilla, Juliana Kaizer Vizzotto:
From Sunlight to Qubits: Visualizing Analogies between Photosynthesis and Quantum Information Systems. 87:1-87:5
Session 18: Nature, Sustainability, Human-Nature Relations
- Rocío García Robles, Nicolás Pérez Rodríguez:
From Synergy to Method: A Case Study of Transdisciplinary SciArt Practices Between Art and Neuroscience. 88:1-88:7 - Jorge Forero Rodriguez, Gilberto Bernardes Almeida, Mónica Mendes:
The Ironic Machines: Computational Generation of Audiovisual Irony. 89:1-89:7 - Joshua Nijiati Alimujiang, Jacques Ziyu Wang, James Pei Man She, David Kei-Man Yip:
3DAroma: Spice-oil-saturated Tangible Installation with Auditory Interaction as Embodied Reminiscence of Exploring Nomadic Memory and Identity. 90:1-90:9 - Predrag K. Nikolic:
Aquaterrestrial Recolonization: Mission Borneo. 91:1-91:5 - Byeongwon Ha:
Washing My Hands. 92:1-92:4
Artistic Exhibition: Gnration, Blackbox Room
- Paulo Veloso Gomes, João Donga, Vítor J. Sá, Henrique Curado, António Marques, Gonçalo Oliveira, Sofia Sá:
SOCIAL RAFT - System Design and Conceptual Framework of a VR-Based Artwork Exploring the Experience of Social Isolation. 93:1-93:4 - Eduardo da Silva Brito:
Playing with Joy. 94:1-94:5 - Joana Isabel Perfeito:
Empatia Líquida - diálogo íntimo entre humano e máquina que se traduz em sons e padrões cimáticos: Liquid Empathy - intimate dialogue between human and machine that translates into sounds and cymatics. 95:1-95:4 - Joana Isabel Perfeito:
Ágora Fluida - Instalação Interativa que convida à colaboração: Ágora Fluida - Interactive installation that invites collaboration. 96:1-96:3 - Ziyao Lin:
Pathological Landscapes: An Artistic Journey into AI's Compassionate Language and Imagery in Healthcare. 97:1-97:5 - Líria Varne:
Small Laboratory to Recreate Humans | Interactive Installation on Affective Archives and Algorithmic Fictions. 98:1-98:5 - Varvara Guljajeva, Mar Canet Sola:
A Needle in a Haystack. 99:1-99:4 - Maria Cristina Cavalcanti:
Memory, montage, and counter-narratives: A digital media installation. 100:1-100:4 - Lorena Ferreira Alves:
Desabafo. 101:1-101:3
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