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9th DLfM 2022: Prague, Czech Republic

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Laurent Pugin:
DLfM '22: 9th International Conference on Digital Libraries for Musicology, Prague Czech Republic, 28 July 2022. ACM 2022, ISBN 978-1-4503-9668-4
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Olivier Lartillot, Anders Elowsson, Mats Johansson, Hans-Hinrich Thedens, Lars Monstad:
Segmentation, Transcription, Analysis and Visualisation of the Norwegian Folk Music Archive. 1-9
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  - conf/dlfm/LewisSSRKHSP22
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David Lewis, Elisabete Shibata, Mark Saccomano, Lisa Rosendahl, Johannes Kepper, Andrew Hankinson, Christine Siegert, Kevin R. Page:
A model for annotating musical versions and arrangements across multiple documents and media. 10-18
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  - conf/dlfm/ThomaeCF22
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Martha E. Thomae, Julie E. Cumming, Ichiro Fujinaga:
Digitization of Choirbooks in Guatemala. 19-26
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  - conf/dlfm/LeGLM22
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Dinh-Viet-Toan Le, Mathieu Giraud, Florence Levé, Francesco Maccarini:
A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies. 27-35
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  - conf/dlfm/WeiglVPRGTG22
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David M. Weigl, Chanda VanderHart, Matthäus Pescoller, Delilah Rammler, Markus Grassl, Fritz Trümpi, Werner Goebl:
The Vienna Philharmonic Orchestra's New Year's Concerts: Building a FAIR Data Corpus for Musicology. 36-40
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  - conf/dlfm/DixACTBDRR22
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Alan J. Dix, Charlotte Armstrong, Rachel Cowgill, Michael B. Twidale, Christina Bashford, J. Stephen Downie, Rupert Ridgewell, Maureen Reagan:
FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources. 41-49
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  - conf/dlfm/ShelleyS22
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Anne Shelley, Rachel Elizabeth Scott:
The Alignment of Open Access with FAIR Principles in Musicological Publishing and Teaching. 50-54
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  - conf/dlfm/PlaksinL22
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Anna Plaksin, David Lewis:
MeRIT: An interactive annotation tool for mensural rhythms. 55-59
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Fabian C. Moss, Giovanni Affatato, Daniel Harasim:
Phantom Curves: Scientific Discovery through Interactive Music Visualization. 60-64
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Ève Poudrier, Craig Stuart Sapp:
Polyrhythm Analysis Using the composite Tool. 65-73

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