default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID6. Creativity & Cognition 2007: Washington, DC, USA
- Ben Shneiderman, Gerhard Fischer, Elisa Giaccardi, Michael Eisenberg:
Proceedings of the 6th Conference on Creativity & Cognition, Washington, DC, USA, June 13-15, 2007. ACM 2007, ISBN 978-1-59593-712-4 - Mitchel Resnick:
All I really need to know (about creative thinking) I learned (by studying how children learn) in kindergarten. 1-6 - Thecla Schiphorst:
Really, really small: the palpability of the invisible. 7-16
Education
- Su Zheng, Adrian Bromage
, Martin Adam, Stephen A. R. Scrivener:
Surprising creativity: a cognitive framework for interactive exhibits designed for children. 17-26 - Ellen Yi-Luen Do, Mark D. Gross:
Environments for creativity: a lab for making things. 27-36 - Johann W. Sarmiento, Gerry Stahl:
Group creativity in virtual math teams: interactional mechanisms for referencing, remembering and bridging. 37-44 - Elif E. Ayiter, Selim Balcisoy, Murat Germen, Selçuk Artut:
Propagating collaboration: an instructional methodology for artists and engineers. 45-52
Collaborative models
- Yun Zhang, Linda Candy:
An in-depth case study of art-technology collaboration. 53-62 - Cathy Treadaway:
Using empathy to research creativity: collaborative investigations into distributed digital textile art and design practice. 63-72 - Giulio Jacucci, Ina Wagner:
Performative roles of materiality for collective creativity. 73-82 - Michael Century:
Exact imagination and distributed creativity: a lesson from the history of animation. 83-90
Creating and sharing
- Stefan Schutt:
Spinning stories: the development of the small histories project as an online facilitator of multiple life stories. 91-98 - Axel Bruns:
Produsage. 99-106 - Stefano Valtolina, Piero Mussio, Giovanna Gianni Bagnasco, Pietro Mazzoleni, Stefano Franzoni, Muriel Geroli, Cristina Ridi:
Media for knowledge creation and dissemination: semantic model and narrations for a new accessibility to cultural heritage. 107-116 - Andruid Kerne, Eunyee Koh, Steven Smith, Hyun Choi, Ross Graeber, Andrew M. Webb:
Promoting emergence in information discovery by representing collections with composition. 117-126
Tools, media and environments
- Andrew Warr, Eamonn O'Neill:
Tool support for creativity using externalizations. 127-136 - Otmar Hilliges, Lucia Terrenghi, Sebastian Boring, David Kim, Hendrik Richter, Andreas Butz:
Designing for collaborative creative problem solving. 137-146 - Dharani Priyahansika Perera, R. T. Jim Eales, Kathy Blashki:
The drive to create: an investigation of tools to support disabled artists. 147-152 - Tiffany Holmes:
Eco-visualization: combining art and technology to reduce energy consumption. 153-162
Design methods
- Ron Wakkary, Leah Maestri:
The resourcefulness of everyday design. 163-172 - Vesa Kantola, Sauli Tiitta, Katri Mehto, Tomi Kankainen:
Using dramaturgical methods to gain more dynamic user understanding in user-centered design. 173-182 - Boris Georg Bezirtzis, Matthew R. Lewis, Cara Christeson:
Interactive evolution for industrial design. 183-192 - Joshua M. Hailpern, Erik Hinterbichler, Caryn Leppert, Damon J. Cook, Brian P. Bailey:
TEAM STORM: demonstrating an interaction model for working with multiple ideas during creative group work. 193-202
Music
- Naresh N. Vempala, Subrata Dasgupta:
A computational model of the music of Stevie Ray Vaughan. 203-212 - Kirsty A. Beilharz, Sam Ferguson:
Gestural hyper instrument collaboration with generative computation for real time creativity. 213-222 - Nick Bryan-Kinns, Patrick G. T. Healey, Joe Leach:
Exploring mutual engagement in creative collaborations. 223-232 - Olav W. Bertelsen, Morten Breinbjerg, Søren Pold:
Instrumentness for creativity mediation, materiality & metonymy. 233-242
Demonstrations and posters
- Zafer Bilda, Ernest A. Edmonds, Deborah Turnbull:
Interactive experience in a public context. 243-244 - Andrew R. Brown, Andrew Sorensen:
Dynamic media arts programming in impromptu. 245-246 - Tim Coughlan, Peter Johnson:
Constrain yourselves: exploring end user development in support for musical creativity. 247-248 - Margaret Dolinsky, Timothy Nelson:
Interfectio puerorum: digital projections and the 12th century fleury's massacre. 249-250 - Jason Freeman:
Graph theory: linking online musical creativity to concert hall performance. 251-252 - Daryl H. Hepting:
Software for systematic and imaginative exploration. 253-254 - Joanne Jakovich, Dagmar Reinhardt:
Sonictecture: esthetic spatial conditioning through sound, computation and interaction. 255-256 - Andrew Johnston, Benjamin Marks:
Partial reflections: interactive virtual instruments controlled by sound. 257-258 - Eric Kabisch:
A periscope for mobile discovery and narrative. 259-260 - Clifton Kussmaul, Sharon Albert:
Reading and writing with Wikis: progress and plans. 261-262 - Mike Leggett:
KMS models for video files using visual mnemonics. 263-264 - Joe Marshall, Steve Benford, Tony P. Pridmore:
Eye-balls: juggling with the virtual. 265-266 - Goro Otsubo:
Goromi-Web: browsing for unexpected information on the web. 267-268 - Raisa Rashid, Quoc V. Vy, Richard G. Hunt, Deborah I. Fels:
Dancing with words. 269-270 - Jack E. Stenner:
PLAYAS: critical reflection in an immersive space. 271-272
Workshops
- Piotr D. Adamczyk, Kevin Hamilton, Michael B. Twidale, Brian P. Bailey:
Tools in support of creative collaboration. 273-274 - Yong Se Kim, Toshiharu Taura:
Design creativity workshop. 275 - David A. Shamma, Ryan Shaw:
Supporting creative acts beyond dissemination. 276-277
Graduate student symposium
- Guy Birkin:
Art & complexity: an exploration of aesthetics. 278 - Eric C. Cook:
The knot of amateurs & professionals: untangling social roles in creative practice. 279 - Steven Dow:
User engagement in physically embodied narrative experiences. 280 - Abigail Durrant:
Designing domestic photographic experiences to support autobiographical memory. 281 - Natalie Ebenreuter:
A collaborative approach to the design of interactive systems for the documentation of dance. 282 - Joel U. Eden:
Distributed cognitive walkthrough (DCW): a walkthrough-style usability evaluation method based on theories of distributed cognition. 283 - Umer Farooq:
Supporting creativity: investigating the role of computer-supported awareness in distributed collaboration. 284 - Sona L. Hairabedian:
Towards expertise: the role of chunking in developing productive fluency in drawing (semester 1 summary). 285 - Alex Ivanov:
Effects of visualizing participant contribution in electronic brainstorming. 286 - André Knörig:
The bodily aspect in computer-supported creativity. 287 - Nicholas A. Knouf:
syngva: an object that raises questions of agency, relationship, and control. 288 - Derek Lomas:
Cognitive artifacts: an art-science engagement. 289 - Joe Marshall:
Eye-balls: computer vision in the circus. 290 - Lorna McKnight:
Creativity in VR: constraint versus exploration. 291-191 - Ann Judith Morrison, Margot Brereton, Peta Mitchell:
Talk2Me: engaging interactive installation environments. 292 - Helen Papagiannis:
Augmenting artistic realities: opportunities for creative and artistic practice in augmented reality. 293 - Nancy Paterson:
MULTI: multiple user interactive template installation. 294 - Cheryl Z. Qian:
Design patterns: augmenting user intention in parametric design systems. 295 - Philippa Riley:
How can technology support musical creativity for people with dementia? 296 - Johann W. Sarmiento:
Understanding and supporting the long-term creative work of virtual math teams. 297 - Eric Schweikardt:
Modular robotics as tools for design. 298 - Ben Short:
Creativity and categorisation. 299 - Jennifer Stoll:
IdeaMurals: supporting ideation in public policy knowledge work. 300 - Lucia Terrenghi:
Designing hybrid interaction through an understanding of the affordances of physical and digital technologies. 301 - Karl D. D. Willis:
Systems for artistic creation: creativity and engagement. 302
Tutorials
- Linda Candy, Zafer Bilda:
Understanding and evaluating creativity. 303-304 - Frieder Nake:
Computer art: creativity and computability. 305-306 - Jack Ox:
Visualization and the art of metaphor. 307-308
Panel
- Ben Shneiderman, Rita R. Colwell, Sara Diamond, Paul Greenhalgh, William A. Wulf:
Bridging art and science with creativity support tools. 309
Art exhibit
- Pamela Jennings:
Speculative data and the creative imaginary: shared innovative visions between art and technology. 310-311
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2026-05-01 23:23 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
